Following the pivotal impact of Dust and Giselle, Akram Khan returns to English National Ballet for his third collaboration with us.
In a dilapidated former Arctic research station, the Creature has been conscripted by a military brigade into a bold new experimental programme. He is being tested for his mental and physical ability to adapt to extreme cold, isolation and homesickness; vital qualities in mankind’s proposed colonisation of the ‘final frontiers’ on earth and beyond.
★★★★★ “Superb… A tight-wound drama that never lets up. [Khan] piles up themes and imagery into a monumental whole.”
Creature is an unearthly tale of exploitation and human frontiers inspired by Georg Büchner’s expressionist classic Woyzeck, with shadows of Mary Shelley’s Frankenstein. Drawing on themes of abandonment, isolation and the fragility of the mind, Creature is the tale of an outsider and the search for belonging.
“The outcast, the stranger, have been a common theme in my work”, says Khan. “In Creature, I am looking further into the areas related to the sense of abandonment, rage and loss.”
Khan is joined by a brilliant creative team of Academy Award-winning designer Tim Yip, composer and sound designer Vincenzo Lamagna, lighting designer Michael Hulls and dramaturg Ruth Little.
A co-production between English National Ballet and Opera Ballet Vlaanderen (OBV)
Co-producers; Sadler’s Wells, London
Nominated for the FEDORA VAN CLEEF & ARPELS Prize for Ballet 2019