Image: Erina Takahashi in Cinderella in-the-round © Laurent Liotardo.

Discover more about the heroine of Christopher Wheeldon’s Cinderella before this whimsical and inventive ballet tours to Manchester and Southampton for the first time.

“There’s no pumpkin or fairy godmother, no glass slipper of Charles Perrault’s classic fairy tale… Instead Christopher Wheeldon has turned to the Brothers Grimm to create a story full of dark frivolity and fantasy, high on romance yet with a strong original feel” (Evening Standard).

WEB-DSC_2614
English National Ballet in Christopher Wheeldon's Cinderella in-the-round © Ian Gavan.

“I decided to go a little bit closer to the Brothers Grimm version of the fairytale, where Cinderella’s mother dies, rather than there being a fairy godmother, there is the spirit of a tree” said Christopher Wheeldon. “We use puppetry, there’s a big very beautiful, giant animated tree, all sorts of woodland creatures that the tree conjures at the end of the first act.”

Erina-Takahashi-with-English-National-Ballet-in-Cinderella-(c)-Laurent-Liotardo
Erina Takahashi in Cinderella in-the-round © Laurent Liotardo.

This “spirited and kind-hearted Cinderella” (The Stage) is watched over by four Fates who guide our heroine on her destiny to a happy-ever-after with the Prince. In addition to the Fates, “four sets of spirits, the “seasons,” teach Cinderella how to dance, while endowing her with gifts of lightness, generosity, mystery and fluidity” (Bachtrack).

Alina-Cojocaru-and-Isaac-Hernandez-in-Cinderella-in-the-round-(c)-Laurent-Liotardo---5
Alina Cojocaru and Isaac Hernandez in Cinderella in-the-round © Laurent Liotardo.

“Wheeldon’s conception of Cinderella is not as an ash-begrimed victim but of a defiant young woman who rejects her father’s choice of an inappropriate and controlling new wife, Hortensia. The girl is feisty and defiant when necessary and prefers to choose a subservient role in the family, but she is not the skivvy of the popular fairy tale” (Dance Europe).

Erina-Takahashi-with-Alison-McWhinney-and-Anjuli-Hudson-and-Sarah-Kundi(c)-Laurent-Liotardo
Erina Takahashi, Anjuli Hudson, Alison McWhinney and Sarah Kundi in Cinderella in-the-round © Laurent Liotardo.

Rather than love at first sight, Wheeldon has the Prince and Cinderella meet before the ball. In disguise as a beggar, the Prince visits her home where Cinderella shows him true kindness (unlike her Stepmother and Stepsisters). It is Cinderella’s generosity, rather than her transformation for the ball, that first catches the eye of Prince Guillaume.

Joseph Caley and Erina Takahashi in Cinderella in the round (c) Laurent Liotardo (6)
Joseph Caley as Prince Guillaume (disguised as a beggar) and Erina Takahashi as Cinderella in Cinderella in-the-round © Laurent Liotardo.

Christopher Wheeldon “offers us a generous and optimistic young woman who overcomes the obstacles to her happiness with wit, ingenuity and earth-magic” (The Observer), “a Cinderella we can really care about” (Financial Times).

Meet other characters from this stunning ballet, including Prince Guillaume and his friend, Benjamin, as well as Stepmother Hortensia and Stepsisters Edwina and Clementine.

Don’t miss your invitation to the ball – this sparkling ballet opens in Manchester from 17-20 October and then tours to Southampton from 23-26 October 2019. Book your tickets now.

Your Comments