Blog
Rhythm Riot: one stage, three moods
Find out more about our new show, premiering this autumn at Sadler’s Wells in London.
Nureyev101: Getting to know Rudolf Nureyev
As we perform one of the legendary dancer and choreographer’s celebrated works, we take a look at Rudolf Nureyev’s legacy and how he continues to shape the artform today.
More news
My First Ballet Cinderella: The stepsisters extract
The stepsisters (plus stepmother, of course) are ready for their moment in My First Ballet: Cinderella!
Proper Conduct (Extract)
Here’s a first clip from Kameron N. Saunders’s creation for English National Ballet, Proper Conduct.
Social Prescribing Day 2026
To mark Social Prescribing Day, we spoke to NHS Social Prescriber Suzy De Freitas about the power of social prescribing - what it is, what we offer, and why it matters.
Introducing children to theatre with My First Ballet: Cinderella
Here is everything you need to know about this magical new production.
Sir Kenneth MacMillan’s The Sleeping Beauty: Lilac Fairy (Extract)
An enchanting moment by Anri Sugiura as the Lilac Fairy in Sir Kenneth MacMillan’s The Sleeping Beauty.
Interview with Jermaine Spivey on Body and Soul (Part 1)
Hear from Spivey about Pite’s movement language,what it unlocks in dancers, the themes of the piece.
Everything you need to know about Proper Conduct by Kameron N. Saunders
Take a few minutes to find out more about Kameron N. Saunders’ vision and find out what Proper Conduct is all about…
Body & Soul: Interview with Aaron S. Watkin
Take a deep dive into our upcoming programme, Body & Soul, with our Artistic Director, Aaron S. Watkin.
Everything you need to know about Body and Soul (Part 1) by Crystal Pite
Here is everything you need to know ahead of the UK premiere of Crystal Pite's Body and Soul (Part 1).
Ballet world’s best villains
The world of ballet is full of anti-heroes and antagonists. Here are five iconic villains we love to hate…
Interview with Kameron N. Saunders
Choreographer Kameron N. Saunders talks about the new work he is creating for English National Ballet, Proper Conduct.
