R:Evolution

Overview

Four visionary creators. Decades of innovation. Pure emotion.

“A stunning evening” (The Guardian) showcasing some of the greatest choreographers of the last century.

George Balanchine revolutionised ballet, combining speed, precision and a new dynamism to create the neo-classical American style. In 1947 in New York, he premiered Theme and Variations, set to music by Tchaikovsky. Since then, this showstopper for 13 couples has lost none of its wow factor. Think gorgeous tutus, fiendish steps and a dazzling finale.

That same year, in the same city, Martha Graham created Errand into the Maze. The visceral, rarely performed duet, based on the raw drama of Greek mythology, encapsulates her unique point of view. Known as the mother of modern dance, Graham changed the artform forever, becoming one of the greatest artists of the 20th century.

Drawing inspiration from both these visionaries, William Forsythe has been pushing ballet to its limits for decades – and continues to do so. His choreography always surprises, as in his signature piece, Herman Schmerman (Quintet). Originally choreographed in 1992 for New York City Ballet (the Company founded by Balanchine himself), the work allows the dancers to let rip, to delirious effect.

Fast forward to today. David Dawson continues to evolve the language of ballet creating works that are extremely physical and emotional. Four Last Songs, from 2023, epitomises this. Underneath a glimpse of the heavens above, 12 dancers unite in Dawson’s poetic style to Strauss’s poignant song cycle, ushering in a feeling of serenity and the sublime.

The music for three of the works – by Tchaikovsky, Menotti and R. Strauss – will be performed live by English National Ballet Philharmonic, with soprano Madeleine Pierard singing Strauss’s masterwork.

On opening night, the lead roles in Balanchine’s Theme and Variations will be performed by Principal Guest Artists Alice Mariani, Principal Dancer at La Scala, and Ricardo Castellanos, Principal Dancer at Norwegian National Ballet.

Scroll down for casting for the four works in R:Evolution. Casting subject to change.

3 reasons to see

Four ground-breaking choreographers, one stage, limitless possibility.
A thrilling journey through decades of dance innovation.
Precision, artistry and timeless music, performed live.

Reviews

A stunning evening

The Guardian

A sparkling mixed bill

The Times

A quadruple bill celebrating [English National Ballet's] stylistic range

Financial Times

Four strikingly different pieces show English National Ballet’s ambitious range

The Stage

An accomplished, intricate, and above all triumphant endeavour — where all its components blend seamlessly in an elaborate symphony of old and new

First Night Magazine

A transporting experience, I cannot fault anything or anyone in what was one of the most exemplary and moving performances I’ve seen recently

Bachtrack on Four Last Songs

Forsythe takes the ballet toolkit, but shuffles it into a delirious mash-up

The London Standard on Herman Schmerman (Quintet)

A slice of classical ballet heaven

Broadway World on Theme and Variations

A stark, striking, stylised duet

The Guardian on Errand into the Maze

A sizzling party piece

Broadway World on Herman Schmerman (Quintet)

Poetry in motion. It is utterly, utterly gorgeous

Seeing Dance on Four Last Songs

The sight of 13 tutus and 13 tiaras is like spotting a tray of champagne flutes just inside the door: it immediately puts guests in a party mood.

Financial Times on Theme and Variations

Packed with action and beauty.

The Daily Express

Meet the team

Please note casting is subject to change

Theme & Variations - Sadler's Wells Theatre, London

George Balanchine

Choreography

Pyotr Ilyich Tchaikovsky

Music

Roberta Guidi di Bagno

Design

Marco Filibeck

Lighting Design

Performances

Sadler's Wells Theatre, London

Thu 9 Oct 2025 - Sat 11 Oct 2025
Thu 9 Oct 2025
Fri 10 Oct 2025
Sat 11 Oct 2025

Access information

There will be an audio-described performance on 11th October at 2:30pm with audio-description by VocalEyes. Visually impaired patrons can go on a Touch Tour before the performance. Your tour guide will take you backstage, or onto the stage itself, to feel costumes and pieces of the set and learn more about the production.

To book onto a free Touch Tour contact engagement@ballet.org.uk, once you have booked your ticket to the show.

More Access

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