Blog

For International Women's Day, our Archive Consultant Jane Pritchard looks at our company's history with female choreographers.

We're thrilled to once again perform Pina Bausch's masterpiece Le Sacre du printemps (The Rite of Spring) as part of She Persisted, our second triple bill celebrating women's voice in dance.

Learn more about the Mexican painter’s life and work, and how they inspired and are represented in this beautiful dance piece.

Looking at the words and power of female choreographers, here's the mighty Pina Bausch (1940 – 2009).

When Kenneth MacMillan started work on his ballet version of Manon, rather than use the scores from Giacomo Puccini’s opera Manon Lescaut or Jules Massenet’s opera Manon, he chose to cherry-pick pieces of music written by the latter. This includes...

Composer Jocelyn Pook took the time to answer our questions about creating the music for Akram Khan’s Dust, part of Lest We Forget.

We met with one of Akram Khan's collaborators, Kimie Nakano, who designed Dust's costumes.

Over several weeks, our dancers worked with Forsythe and his repetiteurs to create and learn those pieces. How did they find this experience?

Hear more about this brand new version of the classic ballet choreographed especially for children aged three upwards.

Diana White, former Soloist with New York City Ballet, where she danced for 20 years, is coming to teach and stage Jerome Robbins's The Cage, as part of Voices of America.

We're thrilled to be performing Jerome Robbins's The Cage for the first time, as part of our mixed bill Voices of America. Read up on five fascinating facts about this gripping work.