Blog

Name your favourite technical ballet challenge and Le Corsaire has got it.

We’re thrilled that our new purpose-built home in Canning Town was officially opened last night by the Mayor of London Sadiq Khan and is now open to the public.

Hollywood designer Bob Ringwood shares some of his inspirations for his stunning designs for Le Corsaire.

When Kenneth MacMillan started work on his ballet version of Manon, rather than use the scores from Giacomo Puccini’s opera Manon Lescaut or Jules Massenet’s opera Manon, he chose to cherry-pick pieces of music written by the latter. This includes...

Composer Jocelyn Pook took the time to answer our questions about creating the music for Akram Khan’s Dust, part of Lest We Forget.

We met with one of Akram Khan's collaborators, Kimie Nakano, who designed Dust's costumes.

Over several weeks, our dancers worked with Forsythe and his repetiteurs to create and learn those pieces. How did they find this experience?

Hear more about this brand new version of the classic ballet choreographed especially for children aged three upwards.

In 1977, the legendary Rudolf Nureyev created his own version of the ballet Romeo & Juliet for us

Anna-Marie Holmes talks about re-staging Le Corsaire for English National Ballet.