In cinema:
Akram Khan's
Giselle

Cinemas Nationally
From 25 April
105 minutes
The iconic ballet, reimagined.

Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory.

The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson.

Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.

It may well rank as a masterpiece of 21st century dance
The Mail on Sunday

Screening times and locations can be viewed on the map below. New cinemas will be added on a regular basis so do check back if your preferred venue is not yet available or sign up for the latest updates by email.

Click here for information on live performance dates of Akram Khan’s Giselle.

View Cast Sheet

Main image: Tamara Rojo as Giselle. Photo © Jason Bell. Art Direction and Design by Charlotte Wilkinson Studio.

Dates & Locations

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MEET THE PRINCIPAL CAST

Tamara Rojo CBE

Giselle

James Streeter

Albrecht

Jeffrey Cirio

Hilarion

Stina Quagebeur

Myrtha

Creative Team

Akram Khan

Direction and Choreography

Tim Yip

Visual and Costume Design

Vincenzo Lamagna

Composition and Sound Design, after the original score by Adolphe Adam

Gavin Sutherland

Orchestration

Mark Henderson

Lighting Design

Ruth Little

Dramaturgy

Andrej Petrovic

Assistant Choreographer

Mavin Khoo

Rehearsal Director

Yvonne Gilbert

Sound Designer

Synopsis

Act I

Giselle is one of a community of migrant garment factory workers (the Outcasts). Dispossessed of their jobs by the factory’s closure, and separated by a high wall from their hopes of livelihood and security, the Outcasts function as little more than exotic entertainment for the factory Landlords.

In Act I, the wealthy Albrecht disguises himself as an Outcast in order to visit his lover Giselle. But his presence is noted by Hilarion – Giselle’s would-be lover – a shape-changing ‘fixer’ who trades with and mimics the Landlords for his own and his community’s profit.

Albrecht’s wooing of Giselle is interrupted by the unexpected arrival of the Landlords. Seeing his fiancée Bathilde among them, Albrecht tries to hide. Giselle recognizes the fine dress worn by Bathilde as the product of her own factory labour. The Outcasts dance for the Landlords until Albrecht and Hilarion disturb the Ceremony with their conflict.

Bathilde’s father confronts Albrecht, forcing him to return to Bathilde and to their world. When he submits and returns to Bathilde, Giselle is driven mad with grief. The Landlord gives a command, and the Outcasts encircle Giselle. When the crowd disperses, her lifeless body is revealed. Denying any responsibility, the Landlords retreat beneath the Wall.

Act II

A wrecked, abandoned ‘ghost’ factory is revealed – a place where Giselle and her female co-workers have labored, and many have died. Here Albrecht, grieving for Giselle, confronts and condemns the Landlords.

Myrtha, Queen of the Wilis (ghosts of factory workers who seek revenge for the wrongs done to them in life), enters, driving Albrecht away. She summons Giselle from her lifeless body into the realm of death, to join the company of the remorseless Wilis.

Hilarion enters to mourn at Giselle’s grave. The Wilis surround him, demanding retribution for Giselle’s death, and Hilarion is brutally killed.

Albrecht returns and becomes aware of Giselle’s presence. The lovers are reunited on the threshold between life and death. Breaking the cycle of violence – and defying Myrtha’s command – Giselle forgives Albrecht and releases him into life.

The Wilis depart with Giselle, and Albrecht, now an outcast from his own community, is left alone by the Wall.

English-National-Ballet-in-Akram-Khan's-Giselle-(c)-Laurent-Liotardo-(2)

Credits

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