“****”
The Telegraph, The Financial Times, The Guardian, The Express, The Times
“English National Ballet’s Cinderella has sumptuous sets (designed by David Walker), a ravishing Prokofiev score, and an English choreographer with a flair for inventing steps”
The Guardian
“Michael Corder's choreography is full of classical steps, showing off strong footwork, clean lines and a sense of shared identity.”
The Independent
“…It is a great pleasure, full of sharp dancing and detailed characterisation. All in all, a fitting birthday tribute”
The Telegraph
“Michael Corder’s sublime version of Cinderella... is full of variation, a dance narrative that flies along with the delicate energy of a locomotive made from spun glass”
The Daily Express |
“Possesses a fine line, beautiful feet and a generous technique. He traces the choreography in great arcs of movement, devouring the stage space in leaps of breathtaking amplitude. This is a dancer who promises much for the future”
Financial Times, on Vadim Muntagirov
“The 60 swans are the evening’s big selling point, a well-drilled, shimmering ensemble who give this production its sense of occasion.”
The Times
“Ultimately, the night belongs to the lovers. At opposite ends of their careers, they are mesmerising”
The Stage
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English National Ballet's tribute to Diaghilev's inspirational company
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Thomas Edur and Agnes Oaks celebrate their partnership in a gala evening at Sadler’s Wells
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Spotlight
